Saturday, 1 June 2013

A Review of American Mary (2012) directed by Jen and Sylvia Soska SPOILER ALERT!!! By Lea Weller BA





Mary Mason is a struggling medical student who is broke and is losing interest in her surgical work. She goes to a local nightclub to find work as a stripper as this is her last resort; the only way to get money now. Once there she performs for the club owner until he is disturbed by his doormen as one of his patrons has been shot. Being a dodgy club owner the police could not be called so he enlisted Mary to attend to the injured man. After this Mary starts performing underground surgery in many forms including being approached by a Betty Boop lookalike to help her friend by performing unconventional surgery to sew up a woman’s vagina and remove her nipples so she looks like a Barbie doll and can feel like a doll naked without any of the pressure of being ‘indecent’ in a sense. All this for $10,000 with another $2000 on top of that just for turning up to see the doll woman. Easy money for Mary. 




Written and directed by Jen and Sylvia Soska; the twisted twins, this film creates and overwhelming feeling of empathy for Mary and as she continues on her journey the audience roots her on. Getting some sort of satisfaction out of one particular event; when her medical professor drugs her and rapes her while filming it at a surgeon’s party. She enlists a club owner; who has grown fond of Mary while she has performed underground surgery for him and his heavy’s, to kidnap her professor. He is then seen duct taped to a table and she tells him how she has found a new love for body modification and how she is going to use him for a guinea pig. 

 

The viewer assumes he is dead and a later scene where she is questioned by a police man also portrays this…. Until… she goes to see him. This is where we see the true extent of Mary’ work; she had removed both arms, both legs and then hung him on hooks by the skin in his back and had just left him dangling by his skin for days. This is one of my favourite scenes in the film, just for the surprise you get when Mary reveals to us the professor is not dead but suffering just as he should.



 


American Mary won five awards at Screamfest in 2012 taking home Best Actress for Katharine Isabelle’s role as the lovely Mary – a great performance I might add; just as in Ginger Snaps. Brian Pearson took home Best Cinematography. The film also won Best Makeup and Best Picture but the one we all like to see is the award for Best Director in which Jen and Sylvia Soska show us just how they have rebooted the horror genre with such a great film. 



Along with The Human Centipede films and the up and coming Thanatomorphose along with all the remakes and other horror releases this year we are sure in for a treat.






This is one hell of a film both narratively and visually. This is definitely one to keep in the collection and one and another one added to the body horror genre. Check out the Soska blog "Penny Dreadful Diary" for more on the twisted twins of future horror.

http://twistedtwinsproductions.blogspot.co.uk/ and check them out on twitter https://twitter.com/twisted_twins.
 

 By Lea Weller BA

Friday, 31 May 2013

Eric Falardeau's Thanatomorphose (2012) Film Review by Lea Weller BA



 


“One day, a girl wakes up and finds her flesh rotting… A strange and claustrophobic tale of sexuality, horror and body fluids… THANATOMORPHOSE”. 
(http://thanatomorphosefilm.com/home/)



From writer and director Eric Falardeau we are brought Thanatomorphose (2012). In the French dictionary the word Thanatomorphose means “the visible changes after the death of an organism”; in other words the decay process the human body goes through post-mortem. 


A beautiful girl wakes up one day to find her body is rotting - literally falling to pieces. Being in an unhealthy relationship with both physical and mental abuse she seems to be dying on the outside as well as the inside; her detached state of mental health starts to manifest quite brutally through bodily bruising and a rash that spreads continuing with on-going decay of, in a sense,  her ‘old life’. The films examination of the id and the ego encompass frightening portrayals of love, sex and death and it pulls you into the story both emotionally and physically (with the squirming and tensing when watching beloved horror). Thanatomorphose is a full on assault on the audience with decomposing flesh and unsightly scenes; a splatter-gore hound’s ecstasy. In a review from The Conduit Speaks they state that Thanatomorphose is


An incredibly unsettling fantasy sheds more light on the woman's very real fears of being "consumed" by the men in her life and the loss of limb walks hand in horrible hand with her loss of self.
(The Conduit Speaks, 2012, http://www.theconduitspeaks.com)



The protagonist wanders around like a corpse showing no life or interest in anything in her life. It isn’t until she starts to rot away that she starts to resemble a human being; living and breathing – with a pulse. Showing an ironic way of living life and feeling alive inside, Falardeau shows how she gets fulfilment from the old self rotting away and this is intentional and methodical. Not just a gore-hounds wet dream.


An image of a crack in the ceiling; slightly resembling a vagina symbolises and represents the evolution of the physical and psychological distress of the protagonist and her disintegration. Like the bruises and the rash – each new circumstance leaves a mark on the protagonist and the continued breakdown in the self continues to show throughout the film. Falardeau catapults body horror back into the horror genre limelight. Actress Kayden Rose is in a naked and vulnerable state throughout the film and shows raw emotion throughout truly becoming the narrative.

 

Falardeau’s film won Best Movie at 2012′s  XXXI Festival de Cine de Terror de Molins de Rei in Spain and Best Special Makeup Effects at the A Night of Horror International Film Festival in Australia. Thanatomorphose will debut at San Diego’s Frequency Film Festival on Thursday, June 6th 2013. I eagerly await the release of this new edition the body horror archives and will be straight out to buy it as soon as it becomes available. The films powerful imagery will long haunt even the most hard-core horror fans. But will be well worth watch.




Other recent films that could be said to be similar in their intent towards the audience would be The Soska Twin’s American Mary and Tom Six’s Human Centipede one, two and the upcoming third instalment. With these new hard-core and original directors who like to live on the edge of censorship; we are sure to see a rising popularity in the horror genre. Not just for the gore but for the original representations of us as a society – our thoughts, our feelings, our desires whether repressed or not, horror shows the darkest corners of our minds and will continue to do so.







 










By Lea Weller BA

Tuesday, 28 May 2013

Martyrs (2008) Directed by Pascal Laugier By Lea Weller BA






 
The film starts in 1971 when a child named Lucie (played by Jessie Pham age 10 years old), managed to escape captivity from someone who had kidnapped her and tortured her. Lucie gets to safety and spends her remaining childhood years in an orphanage. She would not make friends with any of the children accept one. Anna (played by Erika Scott aged 10 years old). They do everything together. 



15 years later Lucie played by Mylène Jampanoï recognises her captors in a newspaper as they were never caught. She hunts them down to free herself from her long time demons and becomes a murderer. Anna played by Morjana Alaoui enters Lucie’s hell and understands her previous plight when it is later found out that her captors were part of a larger organisation with a larger network of cold hearted torturers working towards the martyrdom experiment.



Lucie and Anna’s relationship in uncertain and Lucie imposes her suffering onto Anna literally projecting her fears and in turn Anna becomes the sufferer. Lucie changes from needy to nasty and Anna becomes quite literally martyred in her own friendship. When Anna loses Lucie to her demons she finds a hidden torture chamber under the house where she finds another tortured woman. She nurtures her and helps her become free so she is replacing Lucie.




When Anna is captured and locked away to be periodically tortured she draws strength from her memories of Lucie. So now Anna is alone and her torment begins. This is where the film gets even more interesting. Anna is given the reason for her upcoming torment by Mademoiselle – the apparent leader of the organisation. In order to elevate the mind to a higher state of consciousness the body needs to be punished. Her belief in the martyred suffering and the next world show the films connection with French Catholicism. She also states that this process works best on vulnerable young women
The film continues in torturing Lucie by force- feeding, shaving all her hair off, humiliating beatings and being made to pee and poo in a bucket from a chair with a hole in it.

When Anna takes a certain glance Mademoiselle is called. She speaks to Anna and Anna whispers in her ear Mademoiselle is the only person to hear of what Anna had seen when she transcended herself at the end of the process (the last process involved skinning her alive. Fully). The film is ambiguous and Martyrs transcends itself just as Anna does, there is no fulfilment to the film just an empty hole in which Mademoiselle left us with at the end of the film. Just what did Anna say? What transcends this world?








By Lea Weller BA













Django Unchained (2012) Directed by Quentin Tarantino





Quentin Tarantino once again brings us a narcotic euphoria in the form of a comedy western about slavery.  A film about exploitation and the brutal treatment of slaves; with unexpected and compelling moments and the films ability to provide a violent thrill ride, Tarantino gives us many opportunity to be satisfied.
It is loosely based on the 1960’s cult Django westerns along with the comic series. Django Unchained is based in Texas, America before the civil war in 1858.  Jamie Foxx stars as Django; a former slave of a brutal land owner. Django is befriended by German bounty hunter Dr King Schultz played by Christoph Waltz and the duo has a nice sort of bromance throughout the movie. 




Schultz is a German Dentist who is now a bounty hunter travelling around finding people wanted dead or alive. And as this is a Tarantino film, the hunted usually end up dead. Piling bodies up to return in exchange for the bounty.  Schultz needs Django to help him find two brothers who have a bounty out on their heads. He saves Django from yet another brutal stretch of -slavery in return for his help.  Django helps him in return for his freedom and help to find his wife. Through their journey they hunt for Django's wife Broomhilda (played by Kerry Washington) who was sold separately to slavery.






He finds her with Calvin Candie (played by the great Leonardo Dicaprio); a racist and sadistic man who is head of the plantation in Mississippi named Candieland.  Candie’s household attendant Stephen played by Samuel L Jackson gives an unforgettable performance. He is very loyal to his white master and is shocked to see Django a free man and riding on a horse.  He treats his fellow slaves exactly how they are treated by the white master. This is one of the most comical moments in the film. Just the shock and impertinence of Stephan is enough to make you laugh.
 
Django Unchained is delightful in its exploding gunshots a splatter western would be the correct term in this case. Tarantino’s main staple in his films is blood. He loves the stuff. And not just trickling blood he has to have exploding blood covering the scene in a red mist.

I won’t spoil anything for you so I won’t babble on, but this film is a definite must see.
 

 


By Lea Weller BA











Film Academics: UNIVERSITY OF DERBY - MA IN HORROR AND TRANSGRESSI...

Film Academics: UNIVERSITY OF DERBY - MA IN HORROR AND TRANSGRESSI...:   The UK has a long history of horror and it has become increasingly popular and more acceptable over the past few decades. The...

My Horror Buys This Week One More Step Towards a Masters Degree in Horror and Transgression at Derby University


         



        Hostel 3 (2011)
             directed by Scott Spiegel








            American Mary (2012)
                        directed by The Soska Sisters














                                                                      
         
 
              7 Days (2010)
                       directed by Daniel Grou















  

             A Tale of Two Sisters (2003)
                          directed by Kim Jee-Woon
 


 










                       


                Diary of the Dead (2007)
                              directed by George A Romero







                                       






               
 

                 The Evil Dead (1981)
                                  directed by Sam raimi









         








 



                           Inside (2007)
       directed by Julien Maury and Alexandre Bustillo
  

 














Some I have seen some I haven't but all go towards a building collection of horror movies.